Thanks to an idea that I have been working on all my conscious life and "His Majesty Case", the work "ABSOLUTE HARMONY" or "Twenty-Four Modal Concept", which explores the fundamental laws of musical harmony, was completed by 2012. The result was a work that utilizes overtone-based logic to reveal a slender system of seven-step sound order-modus: form (Dur), anti-form (Moll) in balance with aform (Sattva, Radjas, Tamas). The work, which greatly expands the advanced academic canons, provides an opportunity to analyze both the whole variety of individual-composer harmonic principles and the entire wealth of world folklore from a unified perspective. Finally, the work demonstrates the laws of ABSOLUTE HARMONY, which exists outside our consciousness, and which we are only called upon to reflect with some ability or other....
    The possibilities of this theory can more than satisfy the most unbridled imagination, opening up far-reaching, yet unexplored, harmonic perspectives for the thinker. The concept is also capable of explaining the verticalities of contemporary virtuosos of the jazz avant-garde, who, often ignoring academic canons, follow their own intuition. The new (as it will turn out, "very well forgotten old") harmonic system taught to the inquisitive student does not contradict his genetic - intuitive relic memory, and unconventional knowledge of harmony will allow fantastic possibilities both in composition, in arrangement and in the skill of improvisation. Musical synthesizers or computer programs "trained" by this system will open limitless horizons before its creative owner.
    The work will undoubtedly be of interest to Sanskritologists, who for many decades have been troubled by the mysteries of the ancient epic. It turned out, to my great delight, that the numerical values with a specific semantic load, revealed in the harmonic concept, reveal a striking parallel with the numbers and meaning of the ancient Sanskrit epic, with its specific philosophical maxims, where figurative comparison tells about the great depths of the harmonic act. These parallels reveal the reason for the emergence of not only the so-called magic numbers, but also give a key to understanding the genesis of allegories of paradoxical Indian mythology, where we can already say with certainty that this most ancient heritage are not at all a subject of purely artistic fantasy...
     The new diatonic can give impetus to the development of the most advanced ideas in the sciences, seemingly far from musical, because the numbers and laws narrated by the ancients in "many serial dramas" are nothing but an allegorical catechism of the structure of moving matter, specially preserved by someone for us, and so painfully desired by the need for reflection.
     The site contains only some conclusions of this narrowly professional work, where with the help of schemes, note sounding examples will be demonstrated the amazing richness of not yet used seven-stage harmonic consonances, in the specific classification of balanced categories defined by finite numbers. Special attention will be paid to the striking connection of the musical-harmonic concept with ancient epic and culture, which undoubtedly revealed these fundamental laws in the language of allegories.

V. Lidiyskiy